The Quest of The Photographer Wannabe: June 2012

Monday, 25 June 2012

Sadako

just us fooling around during a photo shoot yesterday... eheh...

Saturday, 23 June 2012

The Moon on 23rd June 2012 by Canon EOS 7D

Taken around 8.30pm

Friday, 22 June 2012

Thursday, 21 June 2012

Monsters University Teaser Trailer

Tuesday, 19 June 2012

Cosplayers to feature at Times Square Mini Carnival

Brunei Cosplayers made an appearance at the Times Square Shopping Mall yesterday and will also be coming this Sunday for the public to have a meet and greet session with the cosplay characters.

Brunei Cosplayers Facebook group page was created by few cartoon & anime costume-loving youngsters and has gained nearly 700 members around the country.

Cosplay, a name that is now generalises individuals all around the world who dress themselves up as either cartoon-like characters or even near movie-accurate costumes.

The word cosplay initially derives from the combination of the words "costume play" which is basically is a type of performance art in which participants don costumes and accessories to represent a specific character or idea.

Originally, cosplay is associated more with Japan's traditional anime characters whether it is from the manga (Japanese comics), video games, graphic novels or even the anime cartoon itself. What makes it notable is its influence over a number of Asian countries other than Japan such as Taiwan, Hong Kong, China, Singapore and even here in Brunei.

However, Western countries have a much more different adaptation to the concept of cosplay as their choice of characters revolve more around the science fiction (sci-fi) and fantasy movie genres or even characters from popular culture; Star Wars, Lord of the Rings, superheroes and the ever frightful zombies.

One of the Brunei Cosplayers facebook group page administrators, Juwaidi Johari told The Brunei Times that there is a rise of people donning in costumes here in Brunei Darussalam.

Juwaidi himself has been involved in the cosplay arena for about three years and described his role, donning the costume Trey from the popular Final Fantasy game as an expression of his own personality with that of Trey.

"Times Square invited us to make an appreance and meet the public today and we appreciate the invitation and feel happy to be here to meet the shoppers and take photos with them although some were shy," he said.

Juwaidi is calling out to the cosplay community to come and join the rest of the group in their character costumes this Sunday, June 24 for another meet at the same place.

Source: The Brunei Times

Friday, 15 June 2012

Resident Evil: Retribution 2nd Trailer

Nikon Announced AF-S DX 18-300mm f/3.5-5.6G ED VR and AF-S 24-85mm f/3.5-4.5G ED VR

Today, Nikon Inc. announced the addition of two new lenses to the legendary NIKKOR lineup, the AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR and the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lenses. The new 18-300mm VR lens is a versatile and compact 16.7X all-in-one super zoom DX-format lens, while the new 24-85mm VR lens is an ideal standard zoom for any FX-format photographer. These optics were designed to meet the needs of all types of photographers, from those looking to capture everything from family outings to elusive wildlife and stunning landscapes. The new 18-300mm and 24-85mm lenses deliver the performance and superior image quality that photographers of all levels have come to expect from NIKKOR lenses whether capturing still images or HD videos.

To capture stunningly sharp images with excellent clarity and color reproduction or HD video that exhibits sharp critical focus with a dramatic depth of field, the new 18-300mm VR and 24-85mm VR lenses will empower photographers with a variety of exclusive core NIKKOR technologies. Both lenses are equipped with Nikon’s Vibration Reduction (VR) II image stabilization system which provides the equivalent of a shutter speed approximately four stops faster. The built-in Vibration Reduction will help photographers create blur-free images and video while shooting handheld and in challenging lighting conditions. Two focus modes, manual-priority autofocus (M/A) and manual focus (M), are easily selected in both lenses as well. When either lens is in manual-priority autofocus (M/A) mode, users will be able to instantly switch from autofocus to manual focus operation by simply rotating the focus ring, even during AF servo operation. Additionally, both lenses feature an internal focusing system, providing fast focus without changing the length of the lens while retaining working distance through the focus range, and Nikon’s Silent Wave Motor (SWM) technology designed to deliver fast, accurate and quiet AF performance. The lenses also boast Nikon’s Super Integrated Coating (SIC) which provides superb color reproduction, color consistency and reduced flaring.

“Whether a pro on assignment, a photo enthusiast or an indie cinematographer, all Nikon users appreciate and rely on the vast selection and reliability of NIKKOR lenses for all of their imaging needs,” said Bo Kajiwara, director of marketing, Nikon Inc. “The new AF-S DX NIKKOR 18-300mm VR and AF-S NIKKOR 24-85mm VR lenses are fully optimized to capture stunning images and videos while meeting the growing needs of photographers of all levels around the world.”

The NIKKOR 18-300mm VR Lens: Nikon’s Longest Focal Range

Building on the popularity and versatility of Nikon’s telephoto zoom lens lineup which includes both the NIKKOR 18-200mm f/3.5-5.6 and 28-300mm f/3.5-5.6 VR lenses, the new 18-300mm f/3.5-5.6G ED VR lens is Nikon’s longest focal range ever, with an astounding 16.7X ultrahigh-ratio zoom range. The DX-format 18-300mm VR lens is surprisingly compact, lightweight and covers a focal range from wide-angle 18mm to super-telephoto 300mm, equivalent to a focal length of 27mm to 450mm in FX/35mm format. At the 300mm focal length setting, the lens’ large f/5.6 aperture enables photographers to shoot at faster shutter speeds with shallow depth-of-field. This new super telephoto zoom lens is ideal for taking stills when travelling and for all around general photography including landscapes, portraits and distant subjects. The 18-300mm lens is also excellent for recording HD video as it can be used for wide establishing shots, medium close-up shots and extreme telephoto sequences when the users want to separate the subject from the background.

The construction of the AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR lens consists of 19 optical elements in 14 groups with three Extra-low Dispersion (ED) glass elements that effectively minimize chromatic aberration, even at the widest aperture settings, and three aspherical lens elements that virtually eliminate aberrations at wide aperture settings. The new lens also incorporates a nine rounded blade diaphragm to help achieve a natural looking dramatic separation between subject and background.

The AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR also has a dedicated zoom lock switch which secures the lens barrel at its minimum length and will prevent the lens from sliding during transportation. Additionally, the 18-300mm VR lens is ideal for capturing close-ups with great detail, as it offers a 1.48 ft. minimum focusing distance at 300mm, as well as a maximum reproduction ratio of 1:3.2X.

The NIKKOR 24-85mm VR Lens: The Standard Zoom for FX Shooters

Ideal for photographers seeking an FX-format compatible standard zoom lens, the new AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens delivers sharp, crisp and high-quality images and can be assigned as an everyday walkabout lens. Covering the frequently used focal-length range of 24mm to 85mm, this lens is a great companion for any FX-format shooter and is ideal for shooting stills of landscapes, architecture, head and shoulder portraits, candid shots or group shots. For HD video shooters, the 24-85mm VR lens is a natural choice when filming landscapes, large groups of people or when wide field establishing shots or medium close-ups are needed. The 24-85mm lens is a great everyday lens that is compact, lightweight and easy to carry on any photo assignment or family adventure.

In addition to the lens’ built-in Vibration Reduction (VR) technology, the AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens features Auto Tripod detection which recognizes when the camera is mounted on a tripod, even during HD video recording, to help deliver specialized VR correction. The lens construction of the 24-85mm VR lens consists of 16 optical elements in 11 groups with one Extra-low Dispersion (ED) glass element, three aspherical lens elements and a seven rounded blade diaphragm.

Price and Availability

The AF-S DX NIKKOR 18-300mm f/3.5-5.6G ED VR lens will be available at the end of June 2012 for the suggested retail price (SRP) of USD999.95. The AF-S NIKKOR 24-85mm f/3.5-4.5G ED VR lens will also be available at the end of June 2012 and will have a suggested retail price (SRP) of USD599.95. For more information on these new NIKKOR lenses and other Nikon products, please visit www.nikonusa.com.

Thursday, 14 June 2012

AFA Malaysia 2012 by Studio Omoshiroi

Tai Chi 0 Trailer

Friday, 8 June 2012

Canon announces EOS 650D

Canon today launches the EOS 650D – a new, easy-to-use Digital SLR (DSLR) that offers high image quality and simple touch-screen operation, allowing anyone to capture beautiful images and Full HD movies. Ideal for photography beginners, the EOS 650D combines intelligent automatic shooting modes with a range of advanced features – making it easy-to-use today, with a full range of manual modes to explore tomorrow.

The EOS 650D is the first-ever EOS to feature a dual AF system, which ensures exceptional detail in stills and continuous autofocus tracking when shooting movies. At the camera's heart is an 18 megapixel (MP) Hybrid CMOS sensor and powerful DIGIC 5 processing, enabling the capture of sharp, full resolution images at up to 5 frames per second (fps). A Vari-angle capacitive touch-screen also makes camera operation quick and easy, providing instant access to an extensive range of settings and scene modes.

EOS 650D – key features

18 MP APS-C Hybrid CMOS sensor
Full-HD movies with manual controls and continuous AF
5 fps continuous shooting
Vari-angle Clear View LCD II Touch screen
ISO 100-12,800 sensitivity, extendable to ISO 25,600
9-point wide-area AF
Integrated Speedlite Transmitter

Availability

The EOS Rebel T4i Digital SLR camera will be available at the end of June for an estimated retail price of USD849.99 for the body alone; USD949.99 bundled with an EF-S 18-55mm f/3.5-5.6 IS II lens kit and a Movie Kit bundle for USD1199.00 with the new EF-S 18-135mm f/3.5-5.6 IS STM lens.

Canon Developed EF-S 18-135mm F3.5-5.6 IS STM and EF 40mm F2.8 STM

Canon today unveils two new compact, lightweight lenses - the EF-S 18-135mm f/3.5-5.6 IS STM and EF 40mm f/2.8 STM. Showcasing a number of new features, including continuous autofocus in Movie mode, both models offer superior image quality and enhanced flexibility to enable photographers of all skill levels to capture both stills and movies of practically any subject.

EF 40mm f/2.8 STM – super-slim, high image quality

The EF 40mm f/2.8 STM is Canon's first EF pancake lens with a fixed focal length of 40mm and wide f/2.8 aperture, making it ideal for photographers who want a versatile, compact and lightweight lens for portrait, reportage, travel or landscape situations. Precision control over the circular, seven-blade aperture is enabled by the EMD, producing a beautiful bokeh effect and an aspheric lens with Super spectra coatings ensures optimal image quality from the centre of the lens to the periphery for stunning shots of practically any subject.

EF 40mm f/2.8 STM – key features

Portable pancake design
Smooth, quiet STM focusing when shooting movies on compatible cameras
Fast f/2.8 maximum aperture for low-light shooting
Close focus to 0.3m
Fast, quiet AF for pin-sharp results
Great image quality right across the frame
The EF 40mm f/2.8 STM lens retails for USD199.99

EF-S 18-135mm f/3.5-5.6 IS STM – versatile, high-performance zoom

Offering a focal range of 18–135mm, the EF-S 18-135mm f/3.5-5.6 IS STM has been created to offer photographers a compact, versatile zoom lens which can be used to capture a variety of subjects, from portraits to landscapes and action shots. Ensuring high-quality stills at slow shutter speeds, the EF-S 18-135mm f/3.5-5.6 IS STM features an intelligent optical Image Stabilizer which offers a 4-stop advantage over non-IS models. The lens will also sense whether the photographer is shooting normally or panning, engaging the most appropriate IS mode to capture the best possible image. When shooting movies, Dynamic IS automatically engages, countering any shake caused by the videographer's movement to produce smooth, stable footage.

For subtle background blur when exploring shallow depths of field in stills and movies, the EF-S 18-135mm f/3.5-5.6 IS STM features a circular aperture with an Electro Magnetic Diaphragm (EMD) which permits highly-accurate control over aperture settings. High image quality is also assured throughout the zoom range thanks to four groups of lens elements including one Ultra-low Dispersion (UD) and one Precision Molded Optics (PMo) element to counter chromatic aberration. Canon's optimised Super spectra coatings on each lens element also reduce ghosting and flare, ensuring images require minimal post-processing.

EF-S 18-135mm f/3.5-5.6 IS STM – key features